The yuppie was in, nice cars were ideal, working hard was a necessity and a given, and nothing was more enjoyable than making money (except by chance spending it). Money and material were the trademarks of the 1980s, the decade of evanescent prosperity. Adults bought Brobdingnagian houses, cruised vast oceans, and threw wild parties. Cocaine made its debut, and the dissever pass judgment was at its highest. But what were the kids doing during all this aberration? To explore adolescent life, one must turn from the Orthodox sociological books or magazines to another type of media: the movies. In his films, writer, director, and producer, tail end Hughes explored the world of the eighties teenagers. In the films The Breakfast Club and Ferris Buellers Day Off, Hughes focuses on the pressures and conformities of the white nub class adolescent. He depicts life in the 1980s very accurately by comically mocking the hearty influence, ambiguously telling the cordially acceptable ro les of women, and by presenting stories done the eyes of a group of people who are usually looked over when discussing the 1980s, teenagers. In his movies, Hughes pokes shimmer at the American social order. In Hughes movies, characters who are traditionally at the top of the social hierarchy (wealthy, white-collar, Caucasians) are create verbally to be ignorant, gullible, and imprudent.
In Ferris Buellers Day Off, Bueller has scated nine solar days of school, and his parents are completely oblivious. Bueller plays softheaded for his parents in order to miss yet another day of school. His line: Incredible! one of the worst performances of my career a! nd they neer doubted it for a second, really displays the want of respect he has for his parents intelligence. Mr. Rooney, the schools principal, and his patron Grace, are also visualized in a same light. Ed Rooney spends the... If you want to ready a full essay, order it on our website:
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